Dominican Republic Global Film Festival Organizers Attend the Berlin Film Festival
Berlin, February 20, 2011
Dominican Republic Global Film Festival Attending the 33rd International Court Métrage Festival in France
Santo Domingo, February 8, 2010
Dominican Republic Global Film Festival Celebrates the Nominations of 127 Hours
Santo Domingo, January 25, 2010
An Even Grander Finale than Ever Newly Honored Liza Minnelli brings down the Curtain on Fourth DR Global Film Festival
Santo Domingo, November 21, 2010
Closing Film of the 4th Dominican Republic Global Film Festival Delights Audiences, Young and Old
Santo Domingo, November 21, 2010
Jury Chooses First, Second and Third Place
Winners in the Second Annual Short Films Competition
Santo Domingo, November 21, 2010
Actors workshop: Jimmy Jean Louis's Method
for Acting Success and Getting Haiti and DR Together
Santo Domingo, November 21, 2010
Short Films: The Beginning of Everything
Santo Domingo, November 21, 2010
"Waste Land,” a documentary defending the
environment
Santo Domingo, November 20, 2010
A Dominican Passion
Outsourcing Baseball Development: Anthony Alcade’s "Buscón"!
Santo Domingo, November 20, 2010
Web 3.0 is coming!
And the possibilities for small film producers are exciting!
Santo Domingo, November 20, 2010
Profile of an actor: From the Stage to the
Screen
Santo Domingo, November 20, 2010
“Traces of the Trade: A Story from the Deep North” Personal Story of Discovery, History and How one Family Faces the Sins of their Ancestors
Santo Domingo, November 20, 2010
Important Moments in Latin American Film
Santo Domingo, November 14, 2010
Frank Padrón, a leading Cuban film critic for the last 25 years, feels very strongly that young people should know about history. He said as much to a packed room of Dominican teens and young adults at the opening of his 3-day workshop which ended on Sunday. Frank made his point on the first day of his workshop when he showed Mario Peixoto’s 1930 silent, experimental - and now legendary - film.
“It was amazing. Who would have thought that a silent film from maybe my grandparents’ generation would have kept all of us so quiet for 2 whole hours,” said Raul Francisco de la Rosa, 17, from La Romana.
Raul’s friend Jose Manuel Villar nodded in agreement, “sometimes the fast-moving Hollywood pictures just don’t convey the deep emotions that this film did.”
This was precisely the response Frank Padrón hoped to get from his young audience. “I admit I am pleasantly surprised,” said Frank who also hosts a popular TV show, De Nuestra America in which he reviews movies for his Cuban audience. Padrón has also written several books on film.
Aspiring actor and would-be filmmaker, Moises Abreu, 18, was equally fascinated by Frank Padron’s workshop, which was titled “Important Moments in Latin American Film.”
“He took us step by step through the history of Latin American film evolution, explaining that the three ‘Meccas’ were Mexico, Brazil and Argentina,” said Moises who intends to study film in the US next year.
Moises admitted that he was impressed by the fact that his generation, raised with fast-moving films, instantaneous communication, text messages, etc. were indeed moved by the silent Brazilian movie which was about two women lost at sea in a rowboat, whose pasts were shown in flashbacks. “Nowadays, the idea of filmmaking is to sell movies not to necessarily project ideas and emotions or spread a message. This is something we feel but it was confirmed even more in Frank’s workshop,” said Moises.
Frank, who happened to walk up just as Moises spoke, smiled proudly. “That is the idea – understand your history and it puts the present into perspective,” said the Cuban intellectual.